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Gucci seems to have taken a pugnacious stance to the whole thing, selling the animosity like a professional wrestler cutting a promo.
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That trend may very well change with the upcoming show featuring bitter rivals Gucci Mane and Jeezy, whose decade-long feud saw the duo butting heads over money, song credit, and the 2005 shooting of Jeezy’s friend by Gucci Mane. For the most part, the event has been celebratory, looking to highlight hits and little-known underground classics as its participants good-naturedly trade stories and praise for each other - although some of the early R&B battles did get delightfully shady.
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He's laughing anyway.Up until now, the “battle” aspect of the popular live stream series Verzuz has been a technicality. But if you take it too seriously, Gucci Mane will laugh at you. So for all the work he does maintaining a single rhyme over the course of an entire verse, or finding newer and slipperier ways of introducing a double-time flow, the moments that get stuck in your head are the simple isolated boasts: "Guns like Super Contra," "cocaine whiter than Taylor Swift," "I stereotype my fuckin' self." And yeah, there's a certain level of insight in that last phrase. This is, uh, impolite music, and there's not a person alive making better impolite music than Gucci Mane. Instead, we get punchlines stupid in their brilliance, or brilliant in their stupidity: "Just like Levert, I like to flirt/ I'm not your Casanova/ I'm not Romeo/ It's Gucci, ho/ I'm tryna bend you over." Or: "Take a TwitPic of Gucci dick and send it as a Tweet/ Ever since she met me, say them niggas obsolete." (Seriously, the way he pronounces the word "Tweet" gets me every time.) Gucci's funniest ad-lib is a barfing sound, and he uses it wherever possible. For the first time, Gucci seems to want us to notice that he's a great rapper.īut this is still a Gucci tape, so nobody should approach it expecting Illmatic levels of insight. Compared to them, perfectly effective in their quick appearances, Gucci seems to be on another level completely- rapping lazy figure-eights around whoever steps on a track with him. Zone 6, and the guys invited are straight-ahead hardhead types like Waka Flocka Flame and Yo Gotti. But there is a slight adjustment in approach here: Gucci seems to realize that he's a divisive figure, that plenty of rap fans still think he's a flamboyant buffoon who can't rap.įor those listeners, Gucci puts on something of a rapping clinic: switching up his flow every few bars, jamming as many syllables as possible into quick-rewind clumps. Instead, he stays firmly in his wheelhouse throughout. If Gucci's most recent prison sentence has made him at all reflective, we don't hear it here. It's got all the hallmarks we've come to expect from a Gucci tape: cheaply catchy twinkling-synth beats, intricately goofy wordplay, singsong choruses that get stuck in your head so hard they start to drive you nuts.
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Zone 6 is every bit as strong a starting point as last year's best Gucci tape, The Burrprint: The Movie 3-D. If you're a Gucci neophyte looking for a way in, Mr. Zone 6, we're reminded what happens when he has time to put together a serious album-length piece of work. With The Burrrprint (2), we learned what happens when Gucci's reduced to releasing leftovers.
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The Burrrprint (2), meanwhile, was just OK, which can only mean one thing: Despite the insane amount of music he puts out, Gucci cares about quality control.
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And even though he's just absurdly prolific, all of those releases made for a strong end-to-end listen. It's amazing he even had anything left Gucci released six mixtapes and one official album last year. Back in spring, we got The Burrrprint (2) HD, which had some music that Gucci recorded over the phone from prison but more that was left over from earlier sessions. Zone 6 isn't Gucci's first mixtape of the year.